Description of the Tremplin Jazz 2004 (in french). The author is rather lukewarm on most of the six participants (including the winners, the Pascal Schumacher Quartet), but is is taken by Listen, a Norwegian sax/piano/tuba trio and even moreso by TTPKC & le Marin, a three saxes (+effects) and drums band.

Pierre Godard's parting shot is an odd one: Out of the six ensembles supposed to represent modern jazz, none truly improvised, a sign of the rather curious evolution of a genre which used to represent the paroxysm of musical freedom? I can't speak for the five other groups, but it's difficult to understand how the PSQ is "not improvising."