Wednesday, November 26, 2003

On live hip hop

I couldn't resist reading about Ol' Dirty Bastard's current state of affairs. It's been 4 years since his brilliant, totally wacko "Nigga Please" and since then he's turned into an embarassing slapstick saga. So, I read this concert review. It's sad that what used to be his amusing madness has degenerated into a debilitating handicap:

Midway through the first song, ODB finally walked on stage, somehow to little fanfare. Most of the uninitiated crowd ("Is that him? Is that him?") did not even recognize him, and why would they? This was not some grand entrance, but a meek hobbling, steadied at both arms and assisted onto the stage by two handlers.

(...)He was nowhere. His dazed vacant stare had everyone in the crowd scratching, instead of bobbing, their heads. While the other MC's onstage swayed, shook, and pumped fists to the beat, Ol' Dirty just glared around, expressionless and bewildered.

(...)

Toward the end of "Shimmy Shimmy Ya", ODB dropped his mic accidentally. A posse member retrieved it from the stage floor, stifling a giggle as he placed it back into ODB's frail hand.


Here's a general comment that I connected with:

Let's face facts. As inspiring and ferocious as hip-hop can be on record, it can suck live. Unless there's some organic musical accompaniment (the Roots), verbal do-wop interplay amongst several players (Jurassic 5), incredible backup dancers or set design to occupy the eye (Missy), or all-out violence, you're not in for a night to remember.

I've seen The Roots many times and Jurassic 5 once (Missy is probably out of my tax bracket, but I'll take a slick MC Solaar show in its place) and even then, there are problems. But I can't imagine anything more stultifying than canned beats under an over-loud, garbled voice (or the reverse). Which is what you often get at hip hop shows.